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The plus points of the film are casting and comedy quotient. The climax is interesting, but a better handled one would have added lot of the value to the film. The narration is little slow in the second half. Producer Ram Mohan should be commended for keeping faith on the director and on this genre.Īnalysis: First half of the film is really good. The product looks superior in terms of visuals and sound. The vintage song should have been done in black and white. Dialogues written in the film are witty and most of the time impromptu (except for the last half an hour where the dialogues are lengthy). The visuals and situations in the film add more to the music.
Other departments: Music by Kalyani Malik is nice. Though the twists were well-placed in the last half an hour, the director could not get more laughs towards the climax. The director is supposed to take the comedy in the film to the next level during the last half-an-hour of the film where pieces fall into the place. The narrative style using which he introduced characters is brilliant. Mohan Krishna Indraganti succeeds in giving us a film that sustains the interest levels throughout by injecting the necessary twists at the right time. A film like this needs an interesting screenplay to sustain the attention of he viewers. Most of the film revolves around name confusion. This story is based on a play written by Oscar Wilde. Story – screenplay – direction: Story of the film is simple, yet complicated.
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The guy who played the server character in ‘Amrutam’ TV serial is fun to watch in this film. Jhansi has done a variety role that reminds us of the harmless and witty mother-in-law character in ‘Kyunki Saas Bhi Kabhi Bahu Thi’. Others: Bhargavi is good as the traditional village girl. He has a promising future if he selects the roles carefully. And Nani comes up with a fabulous performance. Doing a role that requires the attributes of Mahesh Babu is a challenge for a newcomer. Nani: Nani has sharp features, nice Telugu diction and amazing confidence levels. But fans of Swathi will get little disappointed in the second half because her footage is relatively less compared to the first half. She brought out lot of mischief and child-like stupidity that is needed for the character which her histrionics. She is completely natural and is herself while doing the role of Lavanya. Srinivas Avasarala is selected for this film through a talent hunt conducted by Mohana Krishna Indraganti in .Ĭolors Swathi: Her character in this film as an obsessed fan of Mahesh Babu is like a natural extension to her hilarious portrayal of girl in love with Venky in AMAV. He should seriously consider packing his bags and finding the next available flight to Hyderabad as Telugu film industry is desperately looking for such fine actors. Be it dialogue delivery, comedy timing, minute expressions or body language. Srinivas Avasarala is a born actor and he added 25% to the output of the film with his performance. Srinivas Avasarala: A real actor is the one who adds more to the table than what it is with his performance. The rest of the story is all about the comedy of errors originated due to the Mahesh obsession of Lavanya. And he finds a handsome guy called Mahesh (Nani). He decides that the only way to get rid of noise from her house is to hook her up with a good looking boy with the name Mahesh. Anand (Srinivas Avasarala) is a lanky neighbor of Lavanya and he is bugged with ‘Pokiri’ songs played in loud volume by Lavanya. She lowers her expectations and decided to marry somebody who has ‘Mahesh’ in his name. But her heart is broken when Mahesh married Namrata Sirodkar.
And her ambition is to marry hero Mahesh. Lavanya (Colors Swati) is a hardcore fan of hero Mahesh Babu.